I was recently at UNESCO headquarters in Paris for the 13th Internet Governance Forum (IGF 13). Little did I know, while wandering the conference rooms and lobby displays devoted to the transformative path of the Internet into the high-tech world of the 21st century, that this same organization UNESCO was hosting a review of applications for the “Intangible Cultural Heritage of Humanity” list. One thing looking to the future and one thing looking to the past! Continue reading “Patrimoine and Reggae at UNESCO”
Warm greetings to you for a happy and peaceful holiday season and a fulfilling and inclusive 2019. As this eventful year of 2018 comes to an end, we share happy memories of family and friends at Villa Ndio and in our explorations with them of so many “new” sites (for us) near and far from our home base. Politically, too, we reflect on the “blue wave” in our home of citizenship and on “the yellow vests” in our home of retirement as ex pats here in France. Where will we be after the many turning point events of 2019 have brought us to this same time next year? Continue reading “Holiday Greetings 2018”
Discovering the unique character of Lyon in the world of food was an eye-opening experience for us. Well, a mouth-watering experience, too. And a tasting trip of refined simplicity, although much of it was so elegantly presented that the simplicity of the ingredients could easily have been missed. And we discovered, too, the strange and somewhat deceptive history of the famed “Mères de Lyon” (Mothers of Lyon). Continue reading “Food and Gender in Lyon”
Learning can come through reminders about what you knew in the past but had long forgotten. This happened to me the other day as I followed my curiosity to see why a memorial exhibit for Martin Luther King, Junior entitled “MLK Après 50” was being featured at the Palais de Congrès in Grasse. Why would the City of Grasse be hosting such an exhibit on the occasion of the fiftieth anniversary of his death? It was odd, too, for this to happen in October since MLK’s birthday was in month of January and he had been assassinated in the month of April,. But maybe there was something more to this exhibit than an MLK memorial. Could this mean something about the crosscutting and broader impact of MLK’s legacy for today’s world of racial and ethnic divisions? Even in Grasse?
“The Comedy of the Model” is a strange choice of words for someone who is used to using the word “comedy” in the prosaic context of stand-up comedians and shows that make one laugh. One can’t exactly say that the recent exhibit at the Matisse Museum in Nice comparing Matisse and Picasso from the perspective of “The Comedy of the Model” was supposed to make one laugh. So one does need to stretch it out a bit – as in “The Divine Comedy” referring to a poem, for example, or encompassing the idea of “play-acting” in a sort of light-hearted way. To amuse, so to speak, rather than to laugh uproarously. Continue reading “Another Look at Matisse and Picasso”
Vallauris has been a favorite haunt of ours for as long as we can remember. Famed for its pottery, the town has had its ups and downs. The walk along its main street, starting with Picasso’s famed statue “L’Homme au Mouton”, his powerful “War and Peace” panorama and a collection of his ceramic works in a museum at the top of the hill, and our personal favorite pottery shop Ardéco owned and operated by Gilbert and Martine Azéma at the bottom of the hill, is a nostalgic one these days. The town seems to be more “down” than “up”. Without being too disheartening, however, we were “re-inspired” by what we learned from our latest visit (27 June 2018). At the one end, we took in the special exhibit of “Picasso’s Vallauris Years” that is part of a two-year “Picasso-Mediterranée” project running from 2017 to 2019. At the other end, having been saddened last year by the demise of Gilbert Azéma and the closing of his famed Ardéco, we were thrilled to come across the reopened Ardéco under new management.
Gender equality has been at the forefront of French political debate in recent months, with a series of legislative proposals that reflect a uniquely French approach to both gender and equality. My musing back in March on gender equality in France was intended to feature the excellent exhibits for International Women’s Day in the nearby village of Peymeinade. One exhibit had a historical perspective of 100 years of the feminist struggle dating back to 1918, while the other exhibit was a delightful mixture of paintings specifically prepared by three local artists for this particular International Women’s Day in Peymeinade. At a reception for this exhibit, Leila Zarif, the lead artist and her artistic daughter and grand-daughter explained their choice of featuring remarkable women whose impact went well beyond feminism per se – Rosa Parks, Simone Weil, Frida Kahlo and others. The event also included remarks from the mayor about being true to yourself, specifically triggering an appreciation for the “gendered-ness”, as it were, of the French approach to gender equality. Since then, I have been reflecting on my own fixation on the interplay between modesty and provocation that reflects my Anglo-American perspective. Continue reading “The Interplay between Gender and “Genderedness””
On the occasion of the 2018 annual Rose Expo on 17 to 20 May in Grasse, celebrating its 2018 theme of “Flower Power”, we took advantage of the four-day event to savor the fragrances and lush floral displays along the cobble-stoned streets within the ramparts of the old town. This was not our first time to the annual Expo, since we had been May-time visitors of the region with my in-laws in years past, but this was the first occasion for us to explore the wide array of rose-oriented celebrations as actual residents of the town. Continue reading “Flower Power in Grasse”
The Cote d’Azur conjures up images of brilliant sunshine, shimmering azure-blue seas, fields of lavender, vineyards and olive trees, cream-coloured villas with red-tiled roofs, and museums filled with the works of famed impressionist and twentieth century artists. Our first exposure to the Riviera was through what we called the “Matisse Room”, the guest bedroom on the top floor of a modest but very charming villa called “Lou Baguié”. But first impressions were also permeated by the visions of Monet and Manet, Cézanne and Renoir, Leger and Gauguin and Van Gogh, and ultimately, too, of Picasso. These impressions have influenced how we have incorporated our worldly possessions from a “globally nomadic life” into a uniquely Provençal environment.
Having been on a family road trip to Normandy a few years ago, the experience has remained a vivid remembrance of the horrors of a war that was fought mostly in France. Well, that is not entirely fair since the Eastern Front in Poland, Ukraine and Russia had far more casualties, and World War II did also involve battles in East and Southeast Asia as well as Northern Africa.
But nonetheless, it is just one example of how the horrors of war are entrenched in the land of this country and in the psyche of its people. In this “musing”, I build on earlier reflections about the lingering effects of World War II on the Riviera with my impressions of a recent visit to the Imperial War Museum in London.